![]() ![]()
|
Hum and Noise in Effects(and how to squelch it)
Questions about hum and noise in FX designs come up repeatedly in the AMZ e-mail. These problems are of three basic types: powerline hum, high frequency hiss and radio frequency interference.
The problem cannot be fully evaluated until the circuit is mounted in its enclosure and sealed up. PC boards and wiring that are strewn across a workbench are especially susceptible to induced noises and will not be indicative of the performance of the finished unit. You cannot adequately evaluate the extent of your hum or noise problem while the circuit is on a breadboard or open perfboard.
Hum is leakage from the AC power source that has made its way into the circuit and subsequently amplified. It may be 60 cycles per second, which is the fundamental frequency of the power grid, or it may be a multiple of the base frequency. A 120 Hertz frequency is produced by a full-wave rectified power supply and 180 Hz., 240 Hz. and higher harmonics are also produced but at a lower level. The multiples of the base frequency are difficult to remove and the best plan is to eliminate the source of the interference.
If this is not sufficient, or if there is no filter capacitor on the pc board (as with the Fuzzface), adding some additional capacitance from the voltage supply to ground on the pc board can prove helpful (this is the 220uF capacitor in the drawing above).
Hum may also enter a circuit via routes other than the power input. Light dimmer switches, fluorescent lamp fixtures and computer monitors radiate substantial amounts of hum and noise that may be picked up and amplified by the circuit. Move your pedals as far away from these sources as is practical, but even that may not be enough. While the hum from these sources may be induced into the power supply line, the filtering of the power circuit previously shown will eliminate that source of the noise.
An alternate point of entry for the hum is the input connection from the jack or footswitch to the circuit board and any hum or interference that finds its way into the input will be further amplified by the circuit. The wire connecting the input to the pcb should be shielded cable with the shield grounded at the jack end only. RG-174 wire is small diameter and flexible enough for this purpose.
Additionally, the box that holds the circuit should be metal. The circuit ground and the power supply grounds should be connected to a common point on the box. A convenient place that is most often used is a ground lug on the input or output jacks. This effectively places the box at ground potential and it acts as a shield against induced hum and radio frequencies (RF).
Select the smallest value resistance that eliminates the interference. The capacitance value may be increased for additional filtering. Start with the values shown above and increase the capacitance (or resistance) until the problem is eliminated. By applying the simple techniques shown above, most of the noise and hum problems in your effects devices can be eliminated.
GROUNDING: There have been entire books written on the subject of grounding and it is a hotly debated subject among homebrew amp enthusiasts. Fortunately, it is somewhat simpler for fx builders. The box should ideally be made of a conductive metal though I have made and used numerous pedals that had plastic casings. The input and output jacks will be automatically be grounded to the metal case when mounted in the holes in the box (though there are isolating jacks with plastic bodies that do not do this).
A well designed pc board usually has a single ground point that is connected by a wire to one of the jacks. I usually use the output since the input jack may already have battery wires going to it. A single wire to one jack is all that is needed. If the box is plastic, a wire should be added from the ground lug of the output jack to the ground lug of the input jack as well. Off-board controls are usually not too critical about grounding and I usually jump their ground points together and take a single wire from there to the output jack ground lug. That should do it!
|
|
AMZ-FX Home Page
Lab Notebook Main Page
Guitar Effects Blog
©2002 Jack Orman
All Rights Reserved